A hilarious saga of fishing, family, and three generations of tough, independent women—the first in a trilogy
Having fled the testosterone-soaked world of professional sport fishing, thirty-something RayAnne Dahl is navigating a new job as a consultant for the first all-women talk show about fishing on public television (or, as one viewer’s husband puts it, “Oprah in a boat”). After the host bails, RayAnne lands in front of the camera and out of her depth at the helm of the show. Is she up for the challenge? Meanwhile, her family proves as high-maintenance as her fixer-upper house and her clingy rescue dog. Her dad, star of the one-season Big Rick’s Bass Bonanza, is on his sixth wife and falling off the wagon and into RayAnne’s career path; her mother, a new-age aging coach for the menopausal rich, provides endless unwanted advice; and her beloved grandmother Dot—whose advice RayAnne needs—is far away and far from well.
But as RayAnne says, “I’m a woman, I fish. Deal with it.” And just when things seem to be coming together—the show is an unlikely hit; she receives the admiration of a handsome sponsor (out of bounds as he is, but definitely in the wings); ungainly house and dog are finally in hand—RayAnne’s world suddenly threatens to capsize, and she’s faced with a gut-wrenching situation and a heartbreaking decision.
First published in 2015 under a pseudonym, this first installment in a trilogy filled with hilarity and heartbreak unspools with the gentle wit and irresistible charm that readers of Sarah Stonich have come to expect. Fishing! eases us into unsuspected depths as it approaches the essential question . . . when should life be steered by the heart, not the rules?
I really enjoyed this quirky book about RayAnne, a professional sport fisher who reluctantly becomes a talk show host on her fishing boat.
RayAnne’s character was fun for being so oblivious to her own talent and empathy, all the while trying to figure out her life and family relationships. There were many bittersweet moments, along with some off beat humour.
My favourite parts of the book were the interviews on the boat for the TV show. I loved these interesting women and the idea of such a different kind of talk show, one with real women doing interesting things rather than celebrities.
This was an engaging, light, interesting book that I quite enjoyed.
Thank you to Netgalley and The University of Minnesota Press for the review copy.
From the award-winning author of Station Eleven, a captivating novel of money, beauty, white-collar crime, ghosts, and moral compromise in which a woman disappears from a container ship off the coast of Mauritania and a massive Ponzi scheme implodes in New York, dragging countless fortunes with it.
Vincent is a bartender at the Hotel Caiette, a five-star glass and cedar palace on an island in British Columbia. Jonathan Alkaitis works in finance and owns the hotel. When he passes Vincent his card with a tip, it’s the beginning of their life together. That same day, Vincent’s half-brother, Paul, scrawls a note on the windowed wall of the hotel: “Why don’t you swallow broken glass.” Leon Prevant, a shipping executive for a company called Neptune-Avramidis, sees the note from the hotel bar and is shaken to his core. Thirteen years later Vincent mysteriously disappears from the deck of a Neptune-Avramidis ship. Weaving together the lives of these characters, The Glass Hotel moves between the ship, the skyscrapers of Manhattan, and the wilderness of northern Vancouver Island, painting a breathtaking picture of greed and guilt, fantasy and delusion, art and the ghosts of our pasts.
I really wanted to love this book, but, unfortunately, I didn’t. The plot sounded interesting and mysterious, the setting wonderful, the author talented.
However, for me, this book was too meandery and the plot was not very strong. The story was told from various points of view over time, but it was all too loose for me.
There were good elements. The mystery of what happened to Vincent and who etched the mysterious words on the glass had potential. But somehow I didn’t bond with the characters.
The setting was amazing. As someone who has spent a lot of time on the West Coast of BC, this was my favourite part.
Parts of this book were good, but overall, this just didn’t come together for me.
Thank you to Edelweiss and the publisher for a review copy of this book.
In the early 1900s, a young woman embarks on a fantastical journey of self-discovery after finding a mysterious book in this captivating and lyrical debut.
In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely ignored, and utterly out of place.
Then she finds a strange book. A book that carries the scent of other worlds, and tells a tale of secret doors, of love, adventure and danger. Each page turn reveals impossible truths about the world and January discovers a story increasingly entwined with her own.
Lush and richly imagined, a tale of impossible journeys, unforgettable love, and the enduring power of stories awaits in Alix E. Harrow’s spellbinding debut–step inside and discover its magic.
This is a gorgeous book — starting with the enticing cover and finishing with beautiful, luxurious writing and an engaging, imaginative story. I love it when publishers put a lot of thought into a cover and this one is stunning!
I was captured by the story, the mystique of January and her life with Mr Locke, the way the doors open into different worlds, her notebook, and the sinister overtones and mystery to what is going on.
The different story lines and points of view really drew me in and kept me wanting more, eager to find out how they all came together. I was so invested in January and her desire for self discovery, her courage, and her plight. However, one of the most memorable things for me is her dog! I keep thinking about him.
This is a wonderful portal fantasy that weaves together past, present, and even different worlds in a beautiful way. It was a book I luxuriated in and was sad when it was over.
Thank you to Netgalley and the publisher for a review copy of this book.
A powerful, emotional debut novel told in the unforgettable voice of a young Nigerian woman who is trapped in a life of servitude but determined to get an education so that she can escape and choose her own future.
Adunni is a fourteen-year-old Nigerian girl who knows what she wants: an education. This, her mother has told her, is the only way to get a “louding voice”–the ability to speak for herself and decide her own future. But instead, Adunni’s father sells her to be the third wife of a local man who is eager for her to bear him a son and heir.
When Adunni runs away to the city, hoping to make a better life, she finds that the only other option before her is servitude to a wealthy family. As a yielding daughter, a subservient wife, and a powerless slave, Adunni is told, by words and deeds, that she is nothing.
But while misfortunes might muffle her voice for a time, they cannot mute it. And when she realizes that she must stand up not only for herself, but for other girls, for the ones who came before her and were lost, and for the next girls, who will inevitably follow; she finds the resolve to speak, however she can–in a whisper, in song, in broken English–until she is heard.
Adunni has a great voice — she wants to get educated, become a teacher, and help others. She knows she has value and has an interesting, curious attitude toward life, believing that tomorrow will be a better day, despite what has happened today.
And horrible things do happen to Adunni. It is so difficult to read a book with so much abuse and mistreatment of others, especially when it is juxtaposed against affluence and prosperity. The author does an interesting job of explaining what it is like in Nigeria — the poverty, wealth, abuse, rich culture, the politics…
I liked Adunni, but, despite her louding voice, I found she was often pushed into standing up for herself and moving forward. It is a strange combination of ambition and circumstance. Other people really have to make her see opportunities, but perhaps that’s realistic.
Then there was the language in the book. Adunni is uneducated and the book is narrated in her broken English to highlight this fact. It was challenging to read because of this. I appreciate the author trying to show us something about Adunni but felt that because her thoughts wouldn’t have been in English but her native language in the first place, that this was strange. Just my opinion. Maybe we needed the language as a symbolic barrier?
Overall, though, this is a good book, full of inspiration and hope despite the often terrible events and subject matter.
Thank you to Netgalley and Dutton Books for the review copy.