Shelley Stone might be a little overwhelmed. She runs the company Conch, the manufacturer of a small wearable device that attaches to the user’s ear and whispers helpful advice and prompts. She’s married with two small children, Nova and Blazer, both of whom are learning Mandarin. She employs a cook, a nanny, a driver, and an assistant, she sets an alarm for 2AM conference calls, and occasionally takes a standing nap while waiting in line when she’s really exhausted. Shelley takes Dramamine so she can work in the car; allows herself ten almonds when hungry; swallows Ativan to stave off the panic attacks; and makes notes in her day planner to “practice being happy and relatable.” But when Shelley meets a young woman named Shelley Stone who has the exact same scar on her shoulder, Shelley has to wonder: Is some sort of corporate espionage afoot? Has she discovered a hole in the space-time continuum? Or is she finally buckling under all the pressure?
Introducing one of the most memorable and singular characters in recent fiction,The Glitch is a completely original, brainy, laugh-out-loud story of work, marriage, and motherhood for our times.
I enjoyed reading this book — it was funny and there were some great lines and observations — but it also felt a bit repetitive and there was something a bit lacking, maybe in the ending.
Shelley Stone is a high powered executive who just doesn’t get social situations and expectations. Work and achievement consume her, to the point where it’s a detriment to her life. I liked it when she met the “younger version” of herself and wish there was more of that.
It is amusing to watch this extreme character make her way through life as a commentary on current social norms. As such, The Glitch is a funny and lighthearted book that’s easy to read.
Five women. One question. What is a woman for?
In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom.
Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivør, a little-known 19th-century female polar explorer. Susan is a frustrated mother of two, trapped in a crumbling marriage. Mattie is the adopted daughter of doting parents and one of Ro’s best students, who finds herself pregnant with nowhere to turn. And Gin is the gifted, forest-dwelling homeopath, or “mender,” who brings all their fates together when she’s arrested and put on trial in a frenzied modern-day witch hunt.
When I first started to read Red Clocks, I wasn’t sure this was going to be the book for me. But then, I continued reading, and boy was I wrong!
I got a bit confused at first by the chapter changes — each chapter is from one of the four main character’s point of view and their name is never mentioned in that chapter. However, once I got to know the characters, their voices were so unique that there was no danger of confusing them.
I love the premise of the book — that in the near future (ie, anytime, really), the abortion laws in the US are repealed and embryos are granted person status, which changes everything around reproduction. Also, there’s a new law around adoption where “every child needs two”, meaning single people can no longer adopt. Red Clocks takes place just as these new laws are going into effect so that we can see their full impact.
By throwing the world into this kind of situation, combined with the story of the 19th century Icelandic Arctic explorer, Elivor. Zumas is able to explore the concept of motherhood from many different angles in a fascinating and thoughtful way. By about mid way through the book, I couldn’t put it down and just had to finish.
NOTE: I received an ecopy of this book via NetGalley.