Good Me Bad Me is dark, compelling, voice-driven psychological suspense by debut author Ali Land.
How far does the apple really fall from the tree?
Milly’s mother is a serial killer. Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school.
But Milly has secrets, and life at her new home becomes complicated. As her mother’s trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all.
When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother’s daughter.
Good Me, Bad Me is quite a book. Not only is the subject matter intense, but the writing adds to this tension with its terse and poignant turns of phrase, and the way connections are made without spelling everything out. It is the story of Milly, whose mother is a serial killer and how abused she was whole life. One day, Millie can’t take it any more so she turns her mother in to the police.
This book is an exploration of Milly and how she thinks and acts, especially given her past. She wants to do good things and be good, but she also has it in her to be bad. Her thoughts and actions are intense and horrible sometimes and feel authentic given what she’d been through. There is a type of nature versus nurture dichotomy, and huge tension over which one will win.
Throughout the book, we certainly feel for Milly, but we also know that something is wrong. Her thoughts are honest and raw, so I found I didn’t want to get too close to her, but I was completely fascinated by her.
Personally, I was totally enthralled and couldn’t stop turning the pages, though it did get so intense at one point that I had to have a little break. If you like psychological thrillers, I would highly recommend this book.
In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom.
Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivør, a little-known 19th-century female polar explorer. Susan is a frustrated mother of two, trapped in a crumbling marriage. Mattie is the adopted daughter of doting parents and one of Ro’s best students, who finds herself pregnant with nowhere to turn. And Gin is the gifted, forest-dwelling homeopath, or “mender,” who brings all their fates together when she’s arrested and put on trial in a frenzied modern-day witch hunt.
When I first started to read Red Clocks, I wasn’t sure this was going to be the book for me. But then, I continued reading, and boy was I wrong!
I got a bit confused at first by the chapter changes — each chapter is from one of the four main character’s point of view and their name is never mentioned in that chapter. However, once I got to know the characters, their voices were so unique that there was no danger of confusing them.
I love the premise of the book — that in the near future (ie, anytime, really), the abortion laws in the US are repealed and embryos are granted person status, which changes everything around reproduction. Also, there’s a new law around adoption where “every child needs two”, meaning single people can no longer adopt. Red Clocks takes place just as these new laws are going into effect so that we can see their full impact.
By throwing the world into this kind of situation, combined with the story of the 19th century Icelandic Arctic explorer, Elivor. Zumas is able to explore the concept of motherhood from many different angles in a fascinating and thoughtful way. By about mid way through the book, I couldn’t put it down and just had to finish.
NOTE: I received an ecopy of this book via NetGalley.
“The first rule is that you don’t fall in love, ‘ he said… ‘There are other rules too, but that is the main one. No falling in love. No staying in love. No daydreaming of love. If you stick to this you will just about be okay.'”
A love story across the ages – and for the ages – about a man lost in time, the woman who could save him, and the lifetimes it can take to learn how to live
Tom Hazard has a dangerous secret. He may look like an ordinary 41-year-old, but owing to a rare condition, he’s been alive for centuries. Tom has lived history–performing with Shakespeare, exploring the high seas with Captain Cook, and sharing cocktails with Fitzgerald. Now, he just wants an ordinary life.
So Tom moves back to London, his old home, to become a high school history teacher–the perfect job for someone who has witnessed the city’s history first hand. Better yet, a captivating French teacher at his school seems fascinated by him. But the Albatross Society, the secretive group which protects people like Tom, has one rule: never fall in love. As painful memories of his past and the erratic behavior of the Society’s watchful leader threaten to derail his new life and romance, the one thing he can’t have just happens to be the one thing that might save him. Tom will have to decide once and for all whether to remain stuck in the past, or finally begin living in the present.
How to Stop Time is a bighearted, wildly original novel about losing and finding yourself, the inevitability of change, and how with enough time to learn, we just might find happiness.
How to Stop Time is one of those cozy weekend reads full of interesting storytelling and thoughtful takes on love and life. This, combined with the amazing illustrations by Chris Riddell, make the book a real treat (I bought the illustrated version — well worth it!).
I love how Haig uses the character of Tom, a man who ages extremely slowly, to explore themes about what it means to really live and the value of love, things like the difference between existing and living, and is it worth loving someone if you will inevitably watch them age and die while you don’t. These are great questions to explore and Haig does it in a way that doesn’t seem “heavy”.
Tom was an interesting character — he’d seen amazing things and met influential people in his long life, but he lived in fear of being exposed and this influenced his every action and thought. The one criticism I have of this book is that sometimes Tom gets a bit dragged down in his thoughts and fears and it slows the book down and feels repetitive at times.
However, the ending more than made up for this and I would recommend this book for a thoughtful read, complete with historic adventures.
And, something new, here’s my review turned into a video! I’d love to know what you think.
The daring, dazzling and highly anticipated follow-up to the New York Times bestseller The Song of Achilles
One of the Most Anticipated Books of 2018“An epic spanning thousands of years that’s also a keep-you-up-all-night page turner.” – Ann Patchett
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child–not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power–the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus.
But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love.
With unforgettably vivid characters, mesmerizing language and page-turning suspense, Circe is a triumph of storytelling, an intoxicating epic of family rivalry, palace intrigue, love and loss, as well as a celebration of indomitable female strength in a man’s world.
I was so excited when I saw this book — I absolutely love Greek mythology, the Odyssey is one of my favourite books of all time, and I was fascinated to read about Circe, who has only been presented as a minor character in Greek myth.
And I wasn’t disappointed.
Miller did an amazing job of bringing this goddess to life, to telling her story in an empowering way, and even to staying true to the myths. I love taking a character from myth or history and presenting them with a backstory and motivations and seeing where that all leads.
The book has the richness and history of someone who understands Greek myth–the story is peppered with details that add to this authenticity and enhance its scope. There are some lovely descriptions and writing.
But, most of all, there is Circe, the witch from the Odyssey who turns men into swine. We get to understand how she got there, her childhood and history, her point of view of events. We get to see this amazing woman grow and become formidable, all entwined with Classical Greek themes of gods and mortals, fate and choices, and being a hero versus living a long, quiet life.
If you love Greek myth or strong heroines, I highly recommend this book.
Note: I received a copy of this book on Netgalley in exchange for an honest review.